Cincinnati, Ohio.
The exhibition is available for rental, in whole or in part. Due to the large number of works in the exhibition it is very flexible, fitting spaces small and large. Rental fees and expenses are determined accordingly. All works in the exhibition are for sale.
Cincinnati, Ohio.
Vito Acconci
Blown-Up Baby-Doll
A four color screenprint on Sintra and black-mirrored Plexiglas. 24 triangles to create an 96" hexagon or variables, edition of 10. Carl Solway Gallery, 1992
Vito Acconci
Name Calling Chair
Plywood, cherry, ebony, and birch veneer, 48"x38"x48", edition of 10. Carl Solway Gallery, 1990
William Allen
Fire Sermon
Text work. Sandblasted Travertine marble, three stones each 26"x22". Signed and numbered edition of 3. Mark Patsfall Graphics, 1998
William Allen
Lapis Lazuli
Text work. Twelve deep-etched magnesium plates painted with epoxy paint. Each plate measures 7"x9.5"x0.5", the entire piece installed is 22"x39". Signed and numbered edition of 8. Mark Patsfall Graphics, 1995
William Allen
Ten Commandments
Text work. A suite of ten etchings, 9.5" x 12.5", aquatint on colored backrounds. Signed and numbered edition of 21. Mark Patsfall Graphics, 1998
William Allen
Two Dreams
Text work. An etching in black on white Rives BFK, 30" x 40", Signed and numbered edition of 20. Mark Patsfall Graphics, 1998
William Allen and Barbara Westermann
Three Pillows
Text work. Three embroidered linen boudoir pillow cases, comes in an aromatic cedar box, 13.5"x17.5"x1", and was published in an edition of 12. Mark Patsfall Graphics 1995
John M. Bennett
Johnee's Box
An overview of the artist's work between 1975 - 1990. White cardboard box with calligraphy and stamp art by the poet. Contents: 31 chap books and folded broadsides, 2 audio tapes, 26 broadsides (11"x8.5"). offset printed photograph of JMB, Big Notes catalogue, 12 post cards, Throne Frog label package (edition of 15), Utter Utter hat (calligraphy and stamp art on Butcher's cap, signed edition of 15). 12"x9"x2", signed and numbered edition of 15. Slide on request. Volatile Editions and Luna Bisonte Prods, 1990
Richard Bitting
Conifers
Music. Composition from the environmental sculpture/installation Conifers. CD in jewel case and insert with liner notes. Mark Patsfall Graphics / LaLa Records, 1995
Richard Bitting
Kepler's Harmony
Color etching, 44"x30", signed and numbered edition of 15. Mark Patsfall Graphics, 1990
Richard Bitting
Nine Summer Haiku Music.
Music compositions based on visual scores including Kepler's Harmony and Pleiades. CD in jewel case and insert with liner notes. Mark Patsfall Graphics / LaLa Records, 1994
Richard Bitting
Nine Summerr Haiku
Portfolio of nine color lithographs and one title page, 20"x20", signed and numbered edition of 20. Mark Patsfall Graphics, 1984
Richard Bitting
Pleiades
12" LP Picture disk, hand printed color lithograph, signed edition of 260. Mark Patsfall Graphics, 1992
John Cage
Not Wanting To Say Anything About Marcel, Plexigram I
Each Plexigram comprises eight panes of screenprinted Plexiglas , 14"x20", two panels in each set are bronze tinted; six are clear. Mounted in walnut base, 14.5"x24"x3/4"; hand-signed and numbered by Cage and collaborator Calvin Sumsion. Accompanied by a text by John Cage describing the method of composing his first graphic work by chance operation. Edition of 125. Carl Solway Gallery, 1969
John Cage
Not Wanting To Say Anything About Marcel, Plexigram II
Each Plexigram comprises eight panes of screenprinted Plexiglas , 14"x20", two panels in each set are bronze tinted; six are clear. Mounted in walnut base, 14.5"x24"x3/4"; hand-signed and numbered by Cage and collaborator Calvin Sumsion. Accompanied by a text by John Cage describing the method of composing his first graphic work by chance operation. Edition of 125. Carl Solway Gallery, 1969
John Cage
Not Wanting To Say Anything About Marcel, Plexigram III
Each Plexigram comprises eight panes of screenprinted Plexiglas , 14"x20", two panels in each set are bronze tinted; six are clear. Mounted in walnut base, 14.5"x24"x3/4"; hand-signed and numbered by Cage and collaborator Calvin Sumsion. Accompanied by a text by John Cage describing the method of composing his first graphic work by chance operation. Edition of 125. Carl Solway Gallery, 1969
John Cage
Not Wanting To Say Anything About Marcel, Plexigram IV
Each Plexigram comprises eight panes of screenprinted Plexiglas, 14"x20", two panels in each set are bronze tinted; six are clear. Mounted in walnut base, 14.5"x24"x.75"; hand-signed and numbered by Cage and collaborator Calvin Sumpsion. Accompanied by a text by John Cage describing the method of composing his first graphic work by chance operation. Edition of 125. Carl Solway Gallery, 1969
John Cage
Not Wanting To Say Anything About Marcel (version A)
Using 8 aluminum plates and 9 colors, Lithograph (version A) was hand-printed on black Fabriano rag paper, 26.5"x40", edition of 125. Carl Solway Gallery, 1969 3000
John Cage Not Wanting To Say Anything About Marcel (version B) Using 8 aluminum plates and 8 colors, (version B) was hand-printedon black rag paper, 27.5"x40", Edition of 125. Carl Solway Gallery, 1969
John Cage (subject)
Prepared box for John Cage
Contributions by forty-five artists in honor of Cage's 75th birthday. Including: Laurie Anderson, Ay-O, Joseph Beuys, George Brecht, Christo, Merce Cunningham, Richard Hamilton, Jasper Johns, Ray Johnson, Alison Knowles, Allan Kaprow, Claes Oldenburg, Yoko Ono, Nam June Paik, Jean Tinguely, and others. 8"x8"x1.5", screen printed cardboard box wrapped with randomly placed rubber bands, 85 loose pages, printed offset, 1st prtg. Carl Solway Gallery, 1987
Diana Duncan Holmes and Timothy M. Riordan
Aviary Axes
Intaglio, 30"x22", from the Cincinnati Portfolio ll, signed and numbered edition of 35. Mark Patsfall Graphics, 1983
Rev. Howard Finster
Into Earth
Lithograph, 39.5"x29.5", signed and numbered edition of 150. Mark Patsfall Graphics, 1989
Buckminster Fuller
Dymaxion Air-Ocean World Map
Twenty-nine color screenprint on Arches 88 paper, 50"x72" signed on ink, with the chop of Styria Press. Carl Solway Gallery, 1980
Buckminster Fuller
Inventions: Twelve Around One
Portfolio of thirteen color screenprints, each 30"x40, signed, dated and numbered by the artist. Carl Solway Gallery, 1980
Nancy Graves
Lithographs Based on Geologic Maps of Lunar Orbiter and Apollo Landing Sites
Individual print from the portfolio Lithographs Based on Geologic Maps of Lunar Orbiter and Apollo Landing Sites. A portfolio of 9 original color lithographs each 22.5"x30", signed, dated and numbered by the artist. Printed by Landfall Press; Published by the Carl Solway Gallery, 1972
Nancy Graves
Lithographs Based on Geologic Maps of Lunar Orbiter and Apollo Landing Sites
Individual print from the portfolio Lithographs Based on Geologic Maps of Lunar Orbiter and Apollo Landing Sites. A portfolio of 9 original color lithographs each 22.5"x30", signed , dated and numbered by the artist. Printed by Landfall Press; Published by the Carl Solway Gallery, 1972
Joseph Kosuth
Ex Libris Series
A set of 5 aluminum plaques, signed and numbered on the verso of each plaque by the artist, 7.25"x24", edition of 20. Carl Solway Gallery, 1989
C. V. Mansoor
Babel
Text work; this multiple relates to a unique work (of the same title) consisting of over 500 copies of text typed, by hand, over a photocopied image of a camel. 11.5"x9"x1.25", painted fiberboard box containing one typed sheet and 126 photocopied facsimiles of the other pages from the original, sheet of quarter-inch plate glass and a pair of scissors. Signed and numbered edition of 9. Volatile Editions, 1997
Steven McCarthy
Ban Han Gun Son
Color etching, 30"x22", from the Cincinnati Portfolio II, signed and numbered edition of 35. Mark Patsfall Graphics, 1994
Matt Mullican
Untitled
A suite of 64 etchings and 10 screenprints. Etchings 15"x11"; screenprints 29.5"x21.5", edition of 32. Carl Solway Gallery, 1993
Multi-Artists
Fluxfax
A portfolio of hand pulled lithographs and screenprints, created via faxed instruction sheets, 35 Fluxus artists: Eric Andersen, Ay-o, Giuseppe Chiari, Henning Christianen, Philip Corner, Willem de Ridder, Jean Dupuy, Ken Friedman, Geoff Hendricks, Dick Higgins, Allen Kaprow, Bengt Af Klintberg, Milan Knizak, Alison Knowles, Shigeko Kubota, Vytautas Landsbergis, Jackson MacLow, Jonas Mekas, Larry Miller, Hermann Nitsch, Yoko Ono, Nam June Paik, Ben Paterson, Knud Pedersen, Takako Saito, Mieko Shiomi, Anne Tardos, Yasunao Tone, Ben Vautier, Wolf Vostell, Yoshimasa Wada, Emmett Williams, LaMonte Younge and Marian Zazeela. Prints measure 8.5"x11" and are packaged in an imprinted leatherette briefcase-folio, edition of 99, each print signed. Mark Patsfall Graphics, 1995
Peter Nagy
Cancer Logos
Woodcut, 44.25"x45.25", Edition of 30. Carl Solway Gallery, 1988
Joel Otterson
The Mighty Oak of Rock
Etching; from the Cincinnati Portfolio II, 30"x22", signed and numbered edition of 35. Mark Patsfall Graphics, 1994
Nam June Paik
Key to the Highway (Rosetta Stone)
Intaglio, relief etching and screenprint, 34"x28", signed and numbered edition of 64. Mark Patsfall Graphics, 1995
Nam June Paik
NJP at 1800 RPMs
Seven screenprinted laser disks, antique television tubes and mixed media, signed and numbered edition of 64. Carl Solway Gallery, 1992
Rm. Palaniappan
Energy, Land, Architecture – 1
Viscosity / Silkscreen / Embossing, 30"x22", signed and numbered edition of 30. Mark Patsfall Graphics, 1993
Rm. Palaniappan
Energy, Land, Architecture – 2
Viscosity / Silkscreen / Embossing, 30"x22", signed and numbered edition of 30. Mark Patsfall Graphics, 1993
Rm. Palaniappan
Energy, Land, Architecture – 3
Viscosity / Silkscreen / Embossing, 30"x22", signed and numbered edition of 30. Mark Patsfall Graphics, 1993
Ben Patterson
A Short History of Twentieth Century Art Final Edit Revised And Bigger
Mixed media on canvas, 24"x91", signed and numbered edition of 15. Carl Solway Gallery, 1993
Ben Patterson
How to be Happy: The Four Great Lessons
A portfolio of five screenprints, each 28"x20", signed and numbered edition of 35. Carl Solway Gallery, 1996
Bern Porter
89 Offenses
Lithograph (black ink) and etching (blue ink) with chine colle (Kitakata paper on white Rives BFK), 41"x15". Signed and numbered edition of 20. Volatile Editions and Mark Patsfall Graphics, 1991
Bern Porter
Nevers
Text work. 18.5"x23.25", screen print (black ink) on quarter inch thick white Sintra plastic, shaped, and mounted on aluminum channels so that whenhung it floats off the wall approximately a half inch. Signed and numbered edition of 20. Volatile Editions and Mark Patsfall Graphics, 1994
Bern Porter
The Last Acts of Saint Fuckyou
Text work, window shade, 36" wide by variable length (up to approximately 52"), screen printed in red ink, shade mounted on a maple panel 5"x40"x0.75". Signed and numbered edition of 20. Volatile Editions, 1990
Bern Porter
Atomic Dresspattern
Faux abstract print based on the on a dress pattern appropriated from a fashion magazine. 30"x40", six color screen print on Rives BFK white paper. Signed and numbered edition of 20. Volatile Editions and Mark Patsfall Graphics, 1992
Kay Rosen
Lists
A suite of prints; Ugly Ducking, Liszt, Liste/List, Homophonia, each measuring 30"x22.25", black & white screen prints on Arches paper packaged in a black hard case portfolio. Signed and numbered edition of 25. Slides on request. Volatile Editions and Feature, 1990
Kay Rosen
Palimpsest
Text work. 25.5"x19.5", relief etching, red ink on white Rives BFK paper, signed and numbered edition of 27. Volatile Editions and Mark Patsfall Graphics, 1990
Kay Rosen
The Ed Prints
A portfolio of six prints on Magnani white paper, each measures 13.5"x9.75", and are packaged in an imprinted folder made of Danial Smith Archival paper. Color lithograph and screen printing, signed and numbered edition of 30. Volatile Editions and Mark Patsfall Graphics, 1992
Kay Rosen
The Man
Text work. 25.5"x19.5", etching, black ink on white Rives BFK paper. Signed and numbered edition of 32. Volatile Editions and Mark Patsfall Graphics, 1991
Jochen Saueracker
Untitled
Portfolio of four screenprints
28"x28", white archival corrugated die cut board, signed and numbered edition of 20. Mark Patsfall Graphics, 1993
Carolee Schneemann
ABC - We Print Anything in the Cards
Silk covered box containing offset printed cards (photo images and text) from original 1977 edition published by van de Brummense uitgever-ei van luxe. This editon in a reissued blue silk covered box containing an original set of cards. Box 3.75"x5.5"x3.75", signed and numbered edition of 10 with a color photograph. Volatile Editions, 1992
Carolee Schneemann
Monday and Saturday
Two sheets (diptych), each sheet 10.5"x60", multicolored screen prints, up to nine colors and twelve process runs, printed on Rives BFK white paper. The screens were produced photographically, using numerous collages of layered, hand-worked photographic negatives and film positives created by the artist. Signed and numbered edition of 32. Volatile Editions and Mark Patsfall Graphics, 1994
Sandy Skoglund
Rabbits And Snakes
Etching and woodblock print on Arches buff paper, 29.875"x22.25", edition of 50. Carl Solway Gallery, 1998
Annie Sprinkle
101 Hazards of Sex
Screenprint on aluminum, with rounded corners and drilled holes for installation directly to wall. Edition of 42, 28"x8.5", signed and numbered by the artist. Published by Volatile Editions and Mark Patsfall Graphics, Cincinnati, OH, 1998
Annie Sprinkle
101 Uses for Sex
Black text screenprinted on white plexiglass in black frame, 19.25"x13.75", signed and numbered edition of 20. Volatile Editions, 1991
Aralee Strange and Jim Wainscott
The Pain on Main (portfolio)
A suite of seven screenprint, 20"x14.5", in clamshell box, text by Aralee Strange and images by Jim Wainscott, signed and numbered edition of 30. Mark Patsfall Graphics, 1995
Julia Wachtel
Precariously Close To 5 Billion Points Of Confusion
A set of 9 prints, combined lithograph and screenprint, 22"30" each, edition of 64. Carl Solway Gallery, 1990
Hannah Wilke
Hername
Black & white etching (from sixteen individual plates) on white BFK paper, 36.25"x26.25", signed and numbered edition of 30. Volatile Editions and Mark Patsfall Graphics, 1978/91
1312 Clay Street
Cincinnati, OH 45202
Telephone (513) 241-3232
e-mail: mpginc@iac.net
